Showing posts with label Robert Burns. Show all posts
Showing posts with label Robert Burns. Show all posts

Tuesday, October 9, 2012

Songs of Logan #2: Tibbie Fowler o' the Glen

Here is a song that, at least by some accounts, was inspired by my Logan ancestors themselves.  It is still about a woman but not about a woman pining.  Tibbie, rather, is a woman beset by suitors, but they--and by extension all the Scottish men of the time--are more interested in her dowry than her.  Here's the full text, courtesy of the BBC; I have again given translations of a few Scots terms with guidance from www.scots-online.org and recmusic.org.
Tibbie Fowler o' the glen,
There's o'er mony [many] wooin' at her,
Tibbie Fowler o' the glen,
There's o'er mony wooin' at her.

(Chorus) Wooin' at her, pu'in [pulling] at her,
Courtin' at her, canna [cannot] get her:
Filthy elf, it's for her pelf [money],
That a' the lads are wooin' at her.

Ten cam east, and ten cam west,
Ten came rowin' o'er the water;
Twa came down the lang [long] dyke side,
There's twa and thirty [32] wooin' at her.

There's seven but, and seven ben [7 outside the house and 7 in the parlour],
Seven in the pantry wi' her;
Twenty head about the door,
There's ane and forty [41] wooin' at her.

She's got pendles in her lugs [jewels in her ears],
Cockle-shells wad set her better;
High-heel'd shoon [shoes] and siller tags [silver straps],
And a' the lads are wooin at her.

Be a lassie e'er sae black [ugly],
An she hae the name o' siller,
Set her upo' Tintock-tap,
The wind will blaw a man till her.

Be a lassie e'er sae fair,
An she want the pennie siller;
A lie may fell her in the air,
Before a man be even till her.

Dimpleknowe Cottage, Scottish Borders

It is very possible that Tibbie was real, but there is more folklore than fact.  An introduction to the story behind the song can be found at mysongbook.de.  There is no agreement on the "glen" and a good deal of question on who finally wooed her.  In Book of Scottish Story, cited at electricscotland.com, John Mackay Wilson spins the most romantic tale, placing the glen near Berwick-upon-Tweed and below Edrington Castle.  Tibby, daughter of old Ned Fowler, was left at the death of her parents with five hundred pounds and thus surrounded by a pack of desperate gold diggers.  Her chosen was none of the formal suitors but one William Gordon, a young seamen she encountered on Leith Links.  When he says he must sail on a year-long voyage, Tibbie revealed her inheritance to keep him home.  So Willie went into the coasting trade and obtained a beautiful brig he named after his beloved.  However, the ship went missing, driving Tibbie and her children into poverty.  They returned eventually to the old family cottage only to find Willie, who had escaped from the enemy after eighteen months and gained riches and honours.  They took up the cottage, and everyone lived happily ever after.


The more common story places Tibbie's story into the long, complex relationship between the Logans and Leith, Scotland.  This is written about at length in History of Leith, online at electricscotland.com.  As I have discussed before, in 1606, the "godless, drunkin, and deboshit" Sir Robert Logan of Restalrig died, but two years later his body was exhumed, put on trial, and convicted for participation in the Gowrie Conspiracy against King James VI and I.  His properties were confiscated, and the Logan name was forever besmirched, even after the sentence against his family was reversed in 1616.  Among those those to suffer was one of Sir Robert's sons, George.  Enter the heiress Isobel Fowler, said to be the inspiration for the fictional Tibbie.  It is established fact that George married Isobel, but the details are left to the interpretation of local legend.  The father from whom Isobel gained her inheritance appears to be Ludovic Fowler, but some say the "glen" where Tibbie was raised was Burncastle, while others point to an old thatched house at Lochend near Restalrig.  In the 1891 Scottish Notes and Queries, George--here a grandson not a son of Sir Robert--sought his fortune in the wars of Europe but was still shamed at home.  He was, in spite of the objections of her father, the successful wooer of the "well tochered" Isobel...or, here, "Isabella."  It is Leith tradition that Isobel's riches allowed the couple to live comfortably in a well-known mansion.  The house in question (pictured above), however, was in another area of Leith, Sheriff Brae, which had long belonged to another line of Logans.  Storytellers even point to initials carved into the building's stones, left even when most of the building was torn down and replaced by St. Thomas' Church and Manse in 1840 (now 9 Mill Lane).  Yet these initials are more likely those of John Logan and Mary Caire, who had rebuilt the mansion back in 1636.

There is even less agreement on who originally wrote the song, tho' today's version is credited to--or was at least collected by--the inevitable Burns.  I, for one, love a song with a deep back story, and this one is positively convoluted, Logan connection or not.  It is also a very, very catchy song.

  • Andy M. Stewart, from Donegal RainAndy M. Stewart was the frontman of Silly Wizard until 1988, after which he has had a successful solo career and penned such classics as "The Queen of Argyl" and "Valley of Srathmore."  Stewart recorded this version of "Tibbie" for his first solo album.  He is playful, almost sly with the lyrics.  Backed by a full band with bass and drums, this is what I like to call concert Celtic, as opposed to pub Celtic.  It is available from  iTunes.
  • Jock Tamson's Bairns, from A' Jock Tamson's Bairns.  "Jock Tamson's Bairns" is a Scottish saying that means, basically, "we are all, deep down, the same."  It is also the name of a Scottish band.  Their "Tibbie" was originally on a 1978 album but can now be found on a band compilation, an import by CD but available on iTunes.  I first found it on YouTube here.  This is pub Celtic--upbeat, strictly acoustic--and their take on the song is positively bouncing and joyful.
  • Old Blind Dogs, from LegacyOld Blind Dogs has been around for over twenty years.  Jim Malcolm was with them for quite some time, but their recording of "Tibbie" was from before Jim, in 1995.  Typical of the Dogs, the arrangement is artful, "Tibbie" being interwoven with a dance tune from Breton.  It is available on iTunes.

Coming up next:  Logan's second favorite shanty!

Sunday, October 7, 2012

Songs of Logan #1: Logan Braes

There is a playlist on my iPod called "Imaginary Logan."  It is the soundtrack to the unwritten Logan novel/movie, following him from Leith, Scotland (see old post "Logan, an introduction") and the Jacobite march to Preston (see "Logan, Pt. 2:  The Jacobite Rising of 1715") to his sailing to the Caribbean and pirate adventures.  Over half of the tracks are original compositions; a couple years back I had a flurry of inspiration and wrote half an hour of imaginary score in a few days using GarageBand.  I will likely come back to this in another post if I can figure out how to upload MP3's.  For now I want to focus on the other part of the playlist:  'traditional' Celtic tunes and shanties.  What follows is Logan's Top 5+1, the songs that he would have known, or at least the songs I love that inspire me and my character.  I'm including links to my favorite versions, either for purchase or, when possible, for listening online.  I was going to post all the songs in a single post, but that was turning into a massive blog and was thus taking too long.  So, we'll start with just one.

Logan Water

The first song is about a place called Logan.  Logan Water is a river in southwest Scotland that flows into the Nethan and thence into the Clyde.  The tune is an 'air,' a slow, melodic kind of music that is a common type in the Celtic repertoire but hardly exclusive to it.  According to contemplator.com, a very extensive site that compiles traditional songs from the British Isles and America (and some shanties), the tune "Logan Water" first appeared in print in 1709 but is quite probably much older than that.  Typical of most old tunes, it has been set to different lyrics over time, including, like pretty much every tune in Scotland, by Robert Burns, who, typically, added a political slant to the tale of woe.  His 1793 version has become known as "Logan Braes" ('brae' means hill or hillside in Scots), which is the version most people know, including myself.  Beyond simply having "Logan" in the title, it is the kind of sad, Scottish song that characterizes Logan and contains a theme central to the remainder of this list:  Man is gone--in this case to war--and woman is heartbroken.  My story is more pathos then swashbuckle.  He is "Blue" Lou, after all.  This is the poem, borrowed from Robert Burns Country (robertburns.org); I have added in brackets translations of some of the Scots language:

O Logan, sweetly didst thou glide,
That day I was my Willie's bride,
And years sin syne hae [have long since] o'er us run,
Like Logan to the simmer [summer] sun:
But now thy flowery banks appear
Like drumlie [muddy] Winter, dark and drear,
While my dear lad maun [must] face his faes [foes],
Far, far frae [from] me and Logan braes.

Again the merry month of May
Has made our hills and valleys gay;
The birds rejoice in leafy bowers,
The bees hum round the breathing flowers;
Blythe Morning lifts his rosy eye,
And Evening's tears are tears o' joy:
My soul, delightless a' [all] surveys,
While Willie's far frae Logan braes.

Within yon [yonder] milk-white hawthorn bush,
Amang [among] her nestlings sits the thrush:
Her faithfu' mate will share her toil,
Or wi' his song her cares beguile;
But I wi' my sweet nurslings here,
Nae [no] mate to help, nae mate to cheer,
Pass widow'd nights and joyless days,
While Willie's far frae Logan braes.

O wae [woe] be to you, Men o' State,
That brethren rouse to deadly hate!
As ye make mony a fond heart mourn,
Sae [So] may it on your heads return!
How can your flinty hearts enjoy
The widow's tear, the orphan's cry?
But soon may peace bring happy days,
And Willie hame [home] to Logan braes!

As a standard among Scottish songs, it has been recorded by many artists.  These are my favorites:
  • Jim Malcolm:  "Logan Braes," from Acquaintance.  Jim is a friend of mine (thanks to Zanne) and one of the best folk artists in Scotland today.  In addition to being a fabulous singer-songwriter, he is one of the foremost modern interpreters of Robert Burns.  The album Acquaintance is entirely Jim singing Burns songs and is highly recommended.  This is a gentle version of "Logan Braes" set to Jim's voice and guitar and some light instrumental backing.  I'd buy it directly from Jim, but it is also available on iTunes.
  • John Cunningham:  "Logan Water," from Fair Warning.  The late Johnny Cunningham will be familiar to any fan of Scottish music as one of the founders of Silly Wizard, not only one of the premier groups of the Scottish folk revival but one of the best band names of all time.  He was only thirteen when he joined Silly Wizard!  On one of his few solo albums, Cunningham does the old, instrumental tune, strictly overdubbing himself on fiddle.  It is the melody from this version that I learned for use in composing the Logan score.  The album and the tune are available on iTunes.
  • Jean Redpath:  "Logan Braes," from The Songs of Robert Burns, Volumes 1 & 2.  I first heard Jean Redpath as one of the regular guests on Garrison's Keillor's "A Prairie Home Companion" way back in the 80's.  She was born in Edinburgh and raised in Leven, Fife, Scotland.  Now 75, she was there with Dylan and the rest in the early 60's Greenwich Village folk scene.  In 1976, she set out to record every Robert Burns song--a projected 22 volumes--but stopped after seven albums and 323 songs when her arranger, Serge Hovey, passed away.  Their setting of "Logan Braes" is very, very dark, more classical than folk, with a low, dismal piano leading the accompaniment.  All but the seventh volume of Redpath's Burns project is available on iTunes.
Coming up next:  Logan history in song!